Elvis Ripley
Cinematographer and colorist. Notes on cameras, color pipelines, and the films I've worked on.
Recent writing
All posts →From Volume to Grade: The Color Pipeline I Need as a Colorist
LED volume shots that look right on set and fall apart in the grade are almost always a pipeline problem upstream. Here's the handoff that prevents it.
L'dor V'dor
This Emmy winning project started out in 2017 as a project through the Tulsa Historical Society and Museum and then just kept growing and growing and ended up as more of a passion project. I shot t...
FX9 and Content Browser Mobile - Review
part of a series from End of the Dial
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When I shot my first dance piece for Oklahoma City Ballet’s Romeo and Juliet I explored the stage they had available to see what was there. I knew that Romeo and Juliet was more likely going to be ...